Kodachrome Film Stock Info PDF Kodak PDF Spec Sheet on 40, 64 & 200ASA Film Stocks
Transform.html How to transform a video to film project.
thdfvo.pdf information on 35mm transfers from video.
Swissefx_specs.pdf technical specs on production setup and transfer specs.
camera.pdf following is a camera report in pdf format that we found on the web. This does not imply an endorsement for cinefilm lab. However if any of you have had success with this company let us know!
efilm_budget.pdf Efilm's Tape to Film transfer protocols circa 2001.
dv35tech.pdf Transfering to 35mm print.
3_2pulldown.pdf Understand frame loss to video when shooting at 18 and 24 fps.
8mm film to video transfer on the cheap.
 

Please note that the PDF directory is only a source of information that was discovered or loaned to us. Please also note that the listing of this information is purely voluntary and implies no endorsement of any kind. Further, like anything else in the world, buyer beware and please get references before pursuing or purchasing anything expensive regarding your filmmaking. We want you to succeed, but proceed with caution and get everything in writing! Your input and ideas are welcome. As always thanks! - 8mmfilmstock staff.

The transfer of digital video to film is not a complicated process but it's best to know what you are getting into when working on your project.

Regardless what the experts say, nothing can ever beat film in it's look or archival nature. Interestingly alot of filmmakers are shooting super 8mm or regular anamorphic 8mm, transfering via telecine to mini dv and tranforming it back to 35mm or 16mm film for release.

The image and resolution of super 8mm film or regular 8mm film image if shot on Kodachrome is technically a better image or comparable in look to High Definition when transfered on a good Da Vinci or better telecine system. Digital Image in Burbank California USA and others can transfer an hours worth of footage for about 250.00 an hour, with color correction etc. This approach takes advantage of all the great qualities of Final Cut Pro Editing but at a cost considerably less than shooting 16mm or 35mm. We are a strong advocate of Super 8mm and Regular 8mm film. If you should get in a situation where you have a longer form project and need advice on methods to making your film when tranforming back to film, please contact us info@8mmfilmstock.com

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